Three tools. One studio.
Whatever your source material looks like, a flat lay on the floor, a dressed mannequin, last season's lookbook, there is a way from it to finished photography. On model takes all three and reads each photo for what it is. Every tool shares the same library of analyzed products, the same model catalogue and the same one credit per photo.
On model, from a flat lay. The flat lay grows up. Products become a campaign.
Lay the garments down, photograph them once, and build the look: pieces layer the way a stylist layers them, footwear is a deliberate choice, and the look is checked against real dressing rules before a credit moves. Then cast a model, pick the poses and the scene.
Shot on locationCurated scenes, photographed to editorial camera rules.
Styled as a lookShirt, jeans, bag, watch and heels, worn together correctly.
Any channel sizeSeven aspects, wide frames rendered at a higher resolution.
On model, from a worn photo. Reshoot the archive. No samples, no courier.
Photos of garments already worn, from an old lookbook or a supplier, become new photography on our catalogue models. The analyzer reads the outfit off the body, notes what it cannot see rather than inventing it, and the shoot continues like any other.
A new model, same clothesIdentity comes from our catalogue, never from your upload.
Honest analysisWhat the photo cannot show is named, not imagined.
Menswear tooMale and female catalogue models, every size anchored.
On model, from a mannequin. Off the dress form. Onto a person.
Boutiques and ateliers shoot on mannequins because it is fast. We take those photos and put the garments on living models: the analyzer knows a pinned back from a tailored fit and describes the garment, not the styling trick.
The garment, aliveDrape and fit on a real figure.
Pins ignoredClamped and pinned fabric is read as tailoring, not copied.
Decoupe. Every product, alone. Packshots from any photo.
Point Decoupe at a worn or mannequin photo and every detected product becomes its own standalone packshot: ghost mannequin, laid flat or hanging, your choice per shoot. Shoes, hats, hosiery and accessories always take a classic packshot angle, on studio paper in any colour. One credit per product.
Ghost mannequinThe body disappears and the garment keeps its worn shape, the standard for store listings.
Laid flatThe garment arranged flat on the ground, edges squared, no figure.
HangingOn a hanger against the studio paper, the way a rail shot is made.
New this season. Decoupe is live in the studio and every packshot costs the same one credit. We show only photos the studio has made, and this page will carry real packshots as customers publish them.
Pose Batch. Your model this time. Up to four new frames.
The one tool where the person in your photo stays the star. Upload a finished on model photo and up to four pose references: each reference becomes one new frame with the same face, the same outfit and the same setting. Pose references come from your uploads or from our pose library, and a rights confirmation is required before anything generates, because the model in the photo is a real person.
Four library poses of one look. Pose Batch applies references like these to a photo of your own model. Add a fine tune note, light, mood, expression, and it applies across the whole batch.On model tool outputs
3 free photos. No card.
